Hey All,
It's been a smaller delay this time while I sorted out some gallery work
and began to ramp up to the March Modok Madness for 2013. I've still
been drawing a fair amount too, just sluggish to post much of anything
up. To rectify that I'm gonna post up these studies I painted in
photoshop.
Probably the biggest epiphanies came from that first set of Ryan Church paint demos I saw. Granted he was painting in Painter (not Photoshop) but, his approach to the process was revolutionary for me to look at and implement. From then on I watched (and rewatched) samples of Seiler, Chiu, Bluhm, Zhu, and countless others just looking at how people paint and digitally. Picking up habits that worked along the way, and trying new things.
Both of these lines were made with the same brush, using Black. |
- So manage those layers while trying to keep them at a minimum.
- You CAN do a whole lot with that basic round brush.
- It's much easier on your eyes to interface with a workspace that is midtone.
- Check your values, and remember that you can always add color later.
Hope you dig,
P
3 comments:
Love this post, dude. Also, love that you're back at it. Missed ya
You've probably been asked this a million times, or might address it deep within the blog, but what kind of tablet do you use? I'm looking into one, and would love the opinion of artists I admire!
Tooninator:
Thanks for the support man, I always love to hear from yah.
Collin:
Actually I love to answer questions. Personally I use Wacom tablets though they aren't the most current. I like the Intuous3, quite a bit as it's what i've been using for several years now. Personally I don't think the type of tablet is as important as finding a tablet that fits the way you work. I think having a larger tablet is very helpful in keeping my work loose while working on larger images.
Beyond that I don't know if I could suggest any particular tablet for you. I just suggest that you try out whatever tablets you can and find what you're most comfortable with.
P
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